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Denise Levertov

A Poet's Life

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1 of 1 copy available

Kenneth Rexroth called Denise Levertov (1923–1997) "the most subtly skillful poet of her generation, the most profound, . . . and the most moving." Author of twenty-four volumes of poetry, four books of essays, and several translations, Levertov became a lauded and honored poet. Born in England, she published her first book of poems at age twenty-three, but it was not until she married and came to the United States in 1948 that she found her poetic voice, helped by the likes of William Carlos Williams, Robert Duncan, and Robert Creeley. Shortly before her death in 1997, the woman who claimed no country as home was nominated to be America's poet laureate.

Levertov was the quintessential romantic. She wanted to live vividly, intensely, passionately, and on a grand scale. She wanted the persistence of Cézanne and the depth and generosity of Rilke. Once she acclimated herself to America, the dreamy lyric poetry of her early years gave way to the joy and wonder of ordinary life. By the late 1960s and early 1970s, however, her poems began to engage the issues of her times. Vehement and strident, her poetry of protest was both acclaimed and criticized. The end of both the Vietnam War and her marriage left her mentally fatigued and emotionally fragile, but gradually, over the span of a decade, she emerged with new energy. The crystalline and luminous poetry of her last years stands as final witness to a lifetime of searching for the mystery embedded in life itself. Through all the vagaries of life and art, her response was that of a "primary wonder."

In this illuminating biography, Dana Greene examines Levertov's interviews, essays, and self-revelatory poetry to discern the conflict and torment she both endured and created in her attempts to deal with her own psyche, her relationships with family, friends, lovers, colleagues, and the times in which she lived. Denise Levertov: A Poet's Life is the first complete biography of Levertov, a woman who claimed she did not want a biography, insisting that it was her work that she hoped would endure. And yet she confessed that her poetry in its various forms—lyric, political, natural, and religious—derived from her life experience. Although a substantial body of criticism has established Levertov as a major poet of the later twentieth century, this volume represents the first attempt to set her poetry within the framework of her often tumultuous life.

| Cover Title page Copyright CONTENTS Credits A Word of Gratitude Prologue 1. "A Definite and Peculiar Destiny" 2. In Search of Voice 3. The Making of a Poet 4. "A Cataract Filming Over My Inner Eyes" 5. "Staying Alive" 6. Endings 7. Coming to a New Country 8. "The Thread" 9. "Making Peace" 10. The Borderland 11. Bearing Witness 12. "Once Only" Epilogue Notes Selected Bibliography Index | Honorable Mention in Biography, Georgia Author of the Year Awards, 2013. — Georgia Author of the Year Awards
|Dana Greene is Dean Emerita of Oxford College of Emory University. Her other books include Evelyn Underhill: Artist of the Infinite Life and The Living of Maisie Ward.
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    • Kirkus

      October 15, 2012
      A major poet of the 20th century receives her first biography. One of a mere handful of women to appear in Donald Allen's anthology, New American Poetry, 1945-1960, Denise Levertov (1923-1997) remains an influential and controversial figure in American poetry, both for her art and her politics. While perhaps less well-known than her confessional female contemporaries Sylvia Plath and Anne Sexton, Levertov pursued a variety of techniques over the span of five decades, alternately crafting lyrical love poems, anti-war diatribes and spiritual odes. Her 1948 arrival in the United States from her native England heralded a major breakthrough, as she received the support of established poets like William Carlos Williams, Kenneth Rexroth and Robert Duncan. Although American poetry operated as a sort of boys' club at that time, Levertov earned a hard-won place in the journals, anthologies and publishing houses that brought her to prominence. Greene (Dean Emerita/Oxford College of Emory Univ.; The Living of Maisie Ward, 1997, etc.) shows, however, that personal relationships often fractured under the intensity of Levertov's personality. Her 25-year correspondence with Duncan ended on a sour note when he claimed that her vehement protest against the Vietnam War was making her poetry shrill and didactic. When that war, along with Levertov's unhappy marriage, finally ended in 1975, she began writing more contemplative poems that engaged with the natural world as well as with the divine mystery that had imbued her childhood. Influenced by her father's Hasidic Judaism and his conversion to Christianity, Levertov had always felt a dual spiritual-sensual connection with her environment. While her emotional life continued to be tumultuous up until her death, her poems gradually gained the mastery that her earliest work had prophesied. This compelling study deftly blends personal details with consideration of the poet's craft.

      COPYRIGHT(2012) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Library Journal

      September 1, 2012

      Levertov (1923-97) gained stature as a poet at a time when relatively few women won recognition in that field. Greene (Evelyn Underhill: Artist of the Infinite Life) shows how joy and sorrow combined to form the central theme of Levertov's turbulent life as well as the organizing principle of her art. Born in England to a Welsh mother and a Russian Jewish father turned Anglican clergyman, Levertov never identified with any one culture. After marrying an American, she moved to the States, where she became associated with the Black Mountain poets. Greene chronicles Levertov's political activism beginning during the Vietnam War, which adversely affected her reputation as a poet, and traces her religious development from agnosticism to belief, as reflected in her later works. The book examines Levertov's work in the context of her life to show how her poetic development was a kind of spiritual quest. VERDICT While it will be primarily of interest to scholars, this impressive study is the first complete biography of its subject. The extensive bibliography lists interviews, literary criticism, letters and reminiscences as well as Levertov's own works, including her Tesserae: Memories and Suppositions.--Denise J. Stankovics, formerly with Rockville P.L., Vernon, CT

      Copyright 2012 Library Journal, LLC Used with permission.

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